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Well past the five minute mark the music gives way, only to return with that same piano loop and Kanye West going bananas with his vocoder for about four minutes. But what sets it apart is the false ending. Built on a heartbreakingly lonely piano loop, the song finds Kanye bemoaning his personality flaws and features a tight verse from Clipse MC Pusha T. Kanye is one of the great innovators of the sung-rap-song movement that has dominated urban radio the last few years, but here he takes it to new extremes. “Runaway”, the album’s emotional center, debuted at this year’s VMA’s, where it served as a subtle retort to Taylor Swift’s condescending and much hyped “I-Forgive-Kanye” moment. As soon as her voice dies down it gives way to a maelstrom of strings, horns, synths and percussion that does not give way until the final moments of Gil Scott-Heron’s outraged rant on “Who Will Survive in America”. Album opener “Dark Fantasy” kicks off with a spoken word intro from Nicki Minaj, whose talking voice is almost as interesting as her rapping voice. It probably wasn’t by design, but the very title of the album spits in the face of the goofy “real” concept. Everything here sparkles and nothing is out of place. My Beautiful Dark Twisted Fantasy is hands-down the most ambitious mainstream rap album ever made. Yet he somehow pulls it off, and he does it by backing up all the swagger and hype with an album that may actually be that good. This is the most certain way to start ringing the “realness” alarm bells. But perhaps the rule Kanye violates the most flagrantly is also the biggest recipe for disaster: Don’t sound like you are setting out to make the greatest album of all time. False endings give way to noodling instrumental outros. The album is composed of nine-minute rap epics that don’t adhere to traditional verse-chorus-verse guidelines. Kanye breaks plenty of rules on My Beautiful Dark Twisted Fantasy. In a genre and a culture that expects its great artists to submit to a vague set of ideological rules, it is difficult to pinpoint exactly where Kanye West fits into the pantheon of hip-hop royalty. Rappers are applauded for being “real”, but what this reality encompasses is never explicitly stated. In short, to be considered great an artist needs to sound like they were around in ’88, but not sound like anyone who was around in ’88. New artists are maligned for not sounding like the old ones, but there is no crime greater than “biting” those who’ve come before. Kanye also directed and starred in a 35-minute long music film titled “Runaway,” which incorporated all of the songs in the album with stunning ivory-themed visuals and garish scenes that bring his music to life.Hip-hop fans are a tough bunch to please. Four singles from GOOD Fridays would become tracks on the album, including “Power,” “Monster,” “Devil In a New Dress” and “So Appalled.”

#Kanye west dark fantasy twisted series#

In addition to the album’s already impressive tracklist, Kanye’s music label GOOD Music had a promotional series of free music releases every Friday throughout the production of the album called GOOD Fridays.

#Kanye west dark fantasy twisted how to#

Over breakfast, they sit there, they talk about what they want to do, what they did and how to make their music better.” “They talk about yesterday and the next day and the day of and the present. “They get up every morning to eat breakfast,” producer RZA said in an interview with the Red Bull Music Academy.

The artists’ daily routine was grueling, with up to 12 hours spent in the studio a day, along with charitable community work and recreational time. He flew dozens of notable artists and producers down to Hawaii to work on the album.

Seeking refuge from the glaring eye of the media, Kanye self-exiled for months in Honolulu’s Avex Recording Studio to produce MBDTF.